DUPLICITY | APPLICATION
« « « ( SELF DESTRUCTIVE ) » » »
Name: Lily Age: 29 Contact: aeneia Timezone: East Coast Australia Other Character(s): Gilia St. Loe |
Name: Rani Lakshmibai (Prev. Manikarnika) Door: Door Pass from TDM as Dominant Canon: The Order: 1886 Canon Point: While Galahad is unconscious. Age: 58 (appearance is mid 20s) Appearance: ![]() ![]() History: Rani Lakshmi Bai was the Queen of Jhansi and one of the key leaders of the First Indian Independence War against the British Occupation. From childhood, she was trained as a warrior, born to poor parents as Manikarnika, she lost her mother young, but still had a fairly happy childhood. Even as a child she was headstrong and determined, and took to her lessons of being a warrior like a duck to water. When she was 13, she had an arranged marriage to the Maharaj Gangadhar Rao Newalkar, taking the name Lakshmi Bai, after the Hindu Goddess of Prosperity. They had a happy marriage and eventually had a son together once she was old enough, named Damodar Rao. It didn't last, her son was to die in just four months, which lead to the adoption of a family member, Anand Rao, as her husband's health slowly depleted and he died. On the night of the nineteenth birthday, her husband passed away in her arms. What would follow in the wake of her husband's death was at first a series of humiliations where she tried her hardest to keep peace but ultimately was forced into a position of conflict due to being ignored and mistreated for years. Lakshmi would become the figurehead of the rebellion against British Rule in central India. After Jhansi fell in a siege, the war raged for months during 1857, until the last battle at the Fortress of Gwalior. Two long days of battle, she fell beside her men, sword in hand, but ultimately defeated. So feared by the British for the devotion she inspired, that her name would be banned in the British Empire until the end of the 19th century. Or so the British would tell the world and so she let them believe. In truth, the occupation of India by the United India Company was being used as a front by Lycan and Vampires to export their kind through the British Empire and infect whole cities. At one point or another - canon is vague - she met the Knight, Sir Bors De Ganis, once a Knight of King Arthur's Court and member of the Round Table, who died, and she took up is blackwater and fake her own death to take up the fight again. In England with Devi, her second in command/body double/symbolic daughter in tow, she takes up the mantle of the Rebellion there. She fights on the streets through acts of sabotage and guerrilla warfare feeding into political unrest. Getting help from people like Nikola Tesla, who in this universe... makes weapons for the Order. She targets the ships of the United India Company to huge amounts of public destruction and loss of life but is effective in disrupting shipping. The losses are heavy, and a particular bombing that ends up destroying a city block via a blimp crashing into it ( oops ), she causes the knight Sir Percival to die. Sending his closest friend and the series protagonist, Sir Galahad, into a crash course with her. She shows him the truth of what the British Empire has become and gives him a pet name in the process. Eventually, they do ally when Galahad tries to secure evidence he can use in a court of law. It ends as well as you'd expect with immediate betrayal by one of the other knights who - surprise, surprise, has been a lycan all along. More details can be found here, though, Lakshmi only turns up about halfway through, and this is more on the game itself. Yay, secondary characters that actually have huge amounts of backstory! Personality: - chapter 9, an uneasy alliance BRAVERY & RESILIENCE: Her greatest strength is her determination and willingness to keep on fighting. Even when odds are miserable, she stays strong and doesn't fear for her own life. She's a woman that's lost her son, her husband, her kingdom, was humiliated by the way she was treated and watched her people suffer horrific deaths, all before she was 20 years old, but still found the strength to go on and fight. It is a long, unpleasant battle, but she doesn't skirt from it, believing wholeheartedly in what she's fighting for and the rightness of her cause. SELF ASSURANCE & ARROGANCE: Lakshmi presents herself with authority and the presence of one who expects to be listened to and treated with respect. She tends to be restrained in a lot of her more emotional responses or more sentimental topics. But, sometimes, a playfulness can still be seen. However, this turns into an arrogance that is frankly tactless when she decides she doesn't care about someone else's feelings in a situation, to the point that Galahad pulls a gun on her. If she's decided something needs to be said, or she's made up her mind about it, she's blunt and to the point. She doesn't look to anyone else for validation. REMORSELESSNESS & RUTHLESSNESS: Lakshmi might be the worst thing that happened to England's public monuments and suburbs this side of the Viking invasion. She is committing acts of terrorism that cost the lives of many innocents and huge destruction of public property. But when she's confronted with it, instead of showing much remorse, she just takes it in her stride as the cost of her fight. Ends have to justify means when there is so much at stake and no one seems more aware of it than she is. Going so far as to openly mockingly laugh at Galahad when he protests. FLEXIBILITY: Not that she's constantly totally unfeeling and always serious or unable to compromise. With Galahad when they are in an uneasy alliance, she compromises on his request, even when she clearly think it's the stupidest most naive thing she's ever heard, especially because she knows better. But she agrees to his stipulation for the purposes of a great goal. Similarly, when Galahad asks her to lower her weapon - a pretty big thing for someone who's lived her life - she rolls her eyes but does it. LOYALTY & DEVOTION: When she cares about someone, there is nothing she won't do for them on a personal level, and loyalty is always repaid with it. They always come second to the cause, but then, she doesn't tend to form close relationships with people who don't understand that. This also makes her very hard on her them and has a bad habit of pushing people away out of worry about what might happen to them. She can't bear to see any of the people closest to her hurt, and it leads to those people often feeling shoved aside. lakshmi: "i surprise you again, knight?" galahad: "the famous warrior queen who took up arms against our armies in india? our generals reported you dead in gwalior." lakshmi: "I often benefit from the underestimation of fools." ❞ Powers and Abilities: To the Knights of The Order it provides longer life, but they live to see everyone that they love die.❞ Lakshmi, like the Knights, drinks the Blackwater. A purported Holy Grail, though whether it is truly the blood of christ is up for debate, but its effects are not. It grants everyone who drinks from it long life, if not outright immortality. Lakshmi, too, has long outlived her more natural years without aging even slightly from it. The blackwater, after first drinking from it, is mixed with a person's blood, and their blood alone can restore them. It can be shared with another, but it isn't done lightly by anyone, and Lakshmi doesn't share her own even with her family. Inventory: Samples: Thread W/ Lucan Thread W/ Tyrell |
FADE RIFT [INBOX]
LADY LAKSHMI
( Lady Lakshmi, Bai Saheba, Rani Lakshmibai )
( Lady Lakshmi, Bai Saheba, Rani Lakshmibai )
VOICE | ACTION | NOTES
- Unavaliable To All:
- 30mins around dawn
Only to Voice: - Hour training morning and evening
- Any time she's gone riding.
- When she's in the field.
Only to Book: - When she's otherwise in a meeting, leave a message.
- Very late at night or early in the morning.
Other: - She usually takes her morning meals in the mess hall with everyone else.
- Her days are usually spent in Kirkwall seeing to either her personal business or Inquisition tasks.
- She has a bath twice a day, every day.
fade rift permissions & info
BASICS
NAME: Lakshmi Bai AGE: 25 ( 57 ) NATIONALITY: Marathi, Indian RACE: Human OCCUPATION: NA TITLE/RANK: Maharani / Queen, Rani, Bai Saheba, Lady Lakshmi |
HEIGHT: 5'7 BUILD: Fit. Medium Build. HAIR: Brown EYES: Gold-Brown SKIN: Brown BEARING: Determined, prowling, always makes direct eye contact. |
DISTINGUISHING FEATURES: There is something slightly off about her appearance, she's old and young at the same time. She seems to have none of the little flecks of a life lived in combat, yet all of the life ending wounds. A shot from a bullet straight above her heart that has a messy exit out her back, a assortment of what look like teeth marks and claws from something big. But time... never seems to quite reach beyond her eyes. She looks very stern most of the time - except for her most noted feature, when she smiles, she lights up completely like a different, younger woman. |
STATUS
DIVISION: Diplomacy
PROJECTS:
REPUTATION
KNOWN DEEDS: |
UNKNOWN DEEDS: |
AESTHETICS
FADE RIFT APPLICATION
PLAYER
Name: Lily
Age: 26
Contact: aeneia @ plurk
Other Characters: N/A
Interests: Lakshmi is a fighter, and a devoted rebel. She'll be torn largely by wanting to help everyone she meets, especially with the rifts - and wanting desperately to get back home to her own wars. I prefer to get involved in action plots, and in particular her skills lie in combat, and she'll seek out places where she can do that so that's where a lot of where my attention will go.
CHARACTER
Name: Lakshmi Bai ( Rani/Queen of Jhansi, "Jhansi ki Rani", Manikarnika, "Manu", "Chhabili" )
Canon/OC: The Order: 1886
Canon Point: While Galahad is unconscious.
Journal:
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Age: 58, with the appearance of about mid 20s
Canon World
❝LITTLE BOBBY PAIGE WAS BORED, EVEN WHEN JUST 9 YEARS OLD
STAYING OUT ONE NIGHT, HE CAME HOME WITH A BLOODY BITE
DAY TIME WANED, AND DARKNESS FALLED, ALL NOISES WITHIN THE HOUSEHOLD STOPPED
BOBBY WOKE NO LONGER HIM, AND TORE HIS PARENTS LIMB FROM LIMB❞
The Order: 1886 is set in an alternative 19th-century world, where centuries ago, a creature known as the Half-Breed emerged as an evolution of mankind. These were werewolves and vampires, that were either born into their state or are those who are bitten and turn. Humanity has been battling for survival against them, ever since. All of the human development has had a singular goal, since then, defeating the Half-Breeds, and it has vastly accelerated the need for this. Many things that won't exist for another 20 or 30 years are found in the Order universe with slight variances as the need for survival as a species has pushed production and demand into high gear for thousands of years. None of the supernatural is a secret, and all matters of it are out in the open to the world at large.
Which, desperate to protect his home and land - King Arthur ( get ready it gets more nuts from here ) - rose the Knights of the Roundtable to be a force to fight against them. But it was hopeless for a long time, as mankind couldn't beat an apex predator with the tools available to them. This only changed when the Knights came back with the Blackwater. These men and women have gone on to become the foremost fighters in the British Empire. The last stand against the Half-Breed that has slowly been turning the war against the tide. Which is where the Half-Breeds got smart instead of violent. As the British Empire expanded and was as similarily terrible as it's real-world counterpart, they instead took up position of power in these countries via groups like the United India Company ( the East India Company in the real world ), they sort to expand and take up their influence in the countries Britain was in the middle of suppressing and were not paying much attention too.
At least, amongst the nobility. There isn't a single common person from the UK to India that doesn't know what's really going on and it's just furthered the divide between ruler and ruled. England is a powder keg waiting to explode. In this world the brutalities of Racism, Colonialisation, Classicism are intermingled between the European Nobility and the Half Breeds. Like for instance, the lead villain of the game, Lord Hastings, is the head of the United India Company, a Peer of the Realm, Member of the House of Lords ....... and also Jack the Ripper and a Vampire. Eeesh. This is a Gothic Horror with an emphasis on the horror. Life is miserable, desperate, and crumbling through the end of the British Empire. The Knights have a thankless, immortal task of having to do things like - kill children who have been turned - and desperately fighting to be remotely human beings anymore, the common people and Britain's colonies are chewed up like cattle to a hungry empire of Vampires and Lycans.
History
Rani Lakshmi Bai was the Queen of Jhansi and one of the key leaders of the First Indian Independence War against the British Occupation. As a child, she was trained in as a warrior.
When she was 13, she had an arranged marriage to the Maharaj Gangadhar Rao Newalkar, taking the name Lakshmi Bai. They had a happy marriage and eventually had a son together once she was old enough, named Damodar Rao. It didn't last, her son was to die in just four months, which lead to the adoption of a family member, Anand Rao as her husband's health slowly depleted and he died.
Lakshmi would become the figurehead of the rebellion against British Rule in central India. After Jhansi fell in a siege, the war raged for months during 1857, until the last battle at the Fortress of Gwalior. Two long days of battle, she fell beside her men, sword in hand, but ultimately defeated. So feared by the British for the devotion she inspired, that her name would be banned in the British Empire until the end of the 19th century.
Or so the British would tell the world and so she let them believe. In truth, the occupation of India by the United India Company was being used as a front by Lycan and Vampires to export their kind through the British Empire and infect whole cities. At one point or another - canon is vague - she met the Knight, Sir Bors De Ganis, who died, and she took up is blackwater and fake her own death to take up the fight again.
In England with Devi, her second in command/body double/symbolic daughter in tow, she takes up the mantle of the Rebellion there. She fights on the streets through acts of sabotage and guerrilla warfare feeding into political unrest. Getting help from people like Nikola Tesla, who in this universe... makes weapons for the Order. She targets the ships of the United India Company to huge amounts of public destruction and loss of life but is effective in disrupting shipping.
The losses are heavy, and a particular bombing that ends up destroying a city block via a blimp crashing into it ( oops ), she causes the knight Sir Percival to die. Sending his closest friend and the series protagonist, Sir Galahad, into a crash course with her.
She shows him the truth of what the British Empire has become and gives him a pet name in the process. Eventually, they do ally when Galahad tries to secure evidence he can use in a court of law. It ends as well as you'd expect with immediate betrayal by one of the other knights who - surprise, surprise, has been a lycan all along.
More details can be found here, though, Lakshmi only turns up about halfway through, and this is more on the game itself. Yay, secondary characters that actually have huge amounts of backstory!
Personality
- chapter 9, an uneasy alliance
BRAVERY & RESILIENCE: Her greatest strength is her determination and willingness to keep on fighting. Even when odds are miserable, she stays strong and doesn't fear for her own life. She's a woman that's lost her son, her husband, her kingdom, was humiliated by the way she was treated and watched her people suffer horrific deaths, all before she was 20 years old, but still found the strength to go on and fight. It is a long, unpleasant battle, but she doesn't skirt from it, believing wholeheartedly in what she's fighting for and the rightness of her cause.
SELF ASSURANCE & ARROGANCE: Lakshmi presents herself with authority and the presence of one who expects to be listened to and treated with respect. She tends to be restrained in a lot of her more emotional responses or more sentimental topics. But, sometimes, a playfulness can still be seen. However, this turns into an arrogance that is frankly tactless when she decides she doesn't care about someone else's feelings in a situation, to the point that Galahad pulls a gun on her. If she's decided something needs to be said, or she's made up her mind about it, she's blunt and to the point. She doesn't look to anyone else for validation.
REMORSELESSNESS & RUTHLESSNESS: Lakshmi might be the worst thing that happened to England's public monuments and suburbs this side of the Viking invasion. She is committing acts of terrorism that cost the lives of many innocents and huge destruction of public property. But when she's confronted with it, instead of showing much remorse, she just takes it in her stride as the cost of her fight. Ends have to justify means when there is so much at stake and no one seems more aware of it than she is. Going so far as to openly mockingly laugh at Galahad when he protests.
FLEXIBILITY: Not that she's constantly totally unfeeling and always serious or unable to compromise. With Galahad when they are in an uneasy alliance, she compromises on his request, even when she clearly think it's the stupidest most naive thing she's ever heard, especially because she knows better. But she agrees to his stipulation for the purposes of a great goal. Similarly, when Galahad asks her to lower her weapon - a pretty big thing for someone who's lived her life - she rolls her eyes but does it.
LOYALTY & DEVOTION: When she cares about someone, there is nothing she won't do for them on a personal level, and loyalty is always repaid with it. They always come second to the cause, but then, she doesn't tend to form close relationships with people who don't understand that. This also makes her very hard on her them and has a bad habit of pushing people away out of worry about what might happen to them. She can't bear to see any of the people closest to her hurt, and it leads to those people often feeling shoved aside.
lakshmi: "i surprise you again, knight?"
galahad: "the famous warrior queen who took up arms against our armies in india? our generals reported you dead in gwalior."
lakshmi: "I often benefit from the underestimation of fools."
❞
Strengths & Weaknesses
General:
• Trained Warrior & Commander, in both close quarter combat in city situations and open battlefield combat. Swords, Knives/Daggers, Pistols, Rifles, but overall
• Limited to WWI-era technology.
• Skilled horseback rider and in mounted combat.
• High level of endurance and pain tolerance, with and without the Blackwater.
• Experience with Guerrilla Warfare, but also sieges, having to move troops etc.
• Experience in stealth, surveillance, subterfuge and assassinations.
• She's not a big book learner outside of religious context.
• Successfully ran a court and country, which was a feudal based system so there was no parliament to help her out.
• Speaks three languages, Hindi, Marathi & English.
To the Knights of The Order it provides longer life, but they live to see everyone that they love die.❞
Lakshmi, like the Knights, drinks the Blackwater. A purported Holy Grail, though whether it is truly the blood of christ is up for debate, but its effects are not. It grants everyone who drinks from it long life, if not outright immortality. Lakshmi, too, has long outlived her more natural years without aging even slightly from it. The blackwater, after first drinking from it, is mixed with a person's blood, and their blood alone can restore them. It can be shared with another, but it isn't done lightly by anyone, and Lakshmi doesn't share her own even with her family.
Not having the blackwater over a long enough time frame, however, will kill the person who drinks it.
The Blackwater has several enhancing abilities:
- Long Life: All who drink the blackwater do not outwardly age in any real manner. In Lakshmi's case, she's at minimum 57 years old, but doesn't look much older than her late twenties. Some of the knights are six and seven centuries old and don't look much more than mid-fifties. However as soon as they stop drinking the Blackwater, they begin to age rapidly. This seems to be where lack of Blackwater really kills them.
- Healing: Drinking the Blackwater means that outside of an immediately fatal wound like being shot in the heart or head, or being knocked out and unable to consume it, they can heal almost any wound in seconds. More serious wounds will take some minutes and fatigue them for longer, but it does not kill or even cripple them long term. Lady Igraine, for instance, gets her spine broken and one sip of it later, she's up and walking after awhile. Galahad survives being in an airship crash into the crystal palace.
- Increased abilities: All who drink the blackwater are faster, stronger, enhanced sight, smell and hearing. It's not truly superhuman, but it's well and beyond what a peak human can do. In the case of Lakshmi, she's able to comfortably dead weight lift Sir Galahad who is over 6', wearing weapons and heavy clothes, single handed up a wall with very little exertion. They can't say, throw cars around, but they're well and truly able to do things the average person can't.
- The Blacksight: The exception to the above is when they enter what is called the Blacksight. It's a heightened, almost peak state where they react faster, see, hear and smell clearer and process in a way that makes the rest of the world almost slow down to how quickly they move. I interpret this as a hyperawareness that makes them feel and move faster than the world around them.
Suggested Nerfs
She's fairly comparable to a Warden in theory. Enhanced, specifically to fight one kind of enemy. I was thinking I could limit the Blacksight to being used against only darkspawn enemies & mages rather than just in general, because the blackwater drinkers come up on par with the superhuman, but they squish normal people rather horribly, especially when there aren't guns or any kind of projectile weaponry.
With healing - I was thinking that really serious wounds, like broken bones and above, no longer heal instantly, instead take her at least a week of recovery and thus run a higher risk of death for her in the immediate if she's not careful, and will stop that messed up thing Knights do of like, getting stabbed a lot and then just walking it off. So it helps, but not in some battle changing way, she just probably won't die of an infection if she's sensible. Minor wounds scraps, cuts, fractures, still heal perfectly in moments.
Arrival Inventory
• her phial of blackwater
• her long knife / khontar
• a complete set of her royal clothes: sari + all it's associated pieces, but no shoes.
• a whole lotta bling ( this has 10 pieces, all gold & mixed jewels, head jewellery, necklaces, rings, toe rings, anklets etc, bling as fuq ).
• a bundle of baby clothes and blankets
'Human'ization
Aside from her extended lifespan, Lakshmi is just a plain old woman. The lack of humanisation is far more mental than physical.
Fit
Lakshmi is an interesting mix of a point further along in the type of events of dragon age, but from a completely different angle. She's the heart and soul of two rebellions and has fought as much for freedom as to just plain old survive. She also is a very flawed person prone to feeling and acting too much and finds it hard to turn a blind eye even when she wants too. Aspects of Thedas will hit far too close to home and no matter how she wants to keep her distance, it'll be impossible to stop her from being embroiled in the world and its politics.
I'm also very interested in exploring one of the lesser aspects that are present but not touched on in the Order which is the struggle for humanity and not fitting in with the people around them anymore due to their unnatural and duty-driven lives.
SAMPLES
W/ Kitty
W/ Ioverth
(no subject)
![]() DIDN'T MEAN TO MAKE YOU NERVOUS ( YOU MOTHERFUCKER ) |
M.I.L.F $ BEEN WORKING AT YOUR SERVICE TO GIVE IT TO YOU DON'T PLAY NO GAME I CAN'T WIN Can't stop. wont stop. no compromise. BEEZ IN THE TRAP A HUNDRED MOTHERFUCKERS CAN'T TELL ME NOTHING GOTTA LOVE IT This world's sitting pretty in the palm of my hand DOUBLE TROUBLE I step up in the game and I burst that bubble. YONCE I sneezed on the beat and the beat got sicker When I get to where I'm going, gonna have you trembling BABYS ON FIRE It's show time, motherfucker, it's on. Apocalypse now, I'm dropping this bomb |
S72: permissions post
BASIC INFORMATION
![]()
Name: Lakshmi Bai, Manikarnika, "Manu", "Chhabili"
Canon: The Order: 1886
Age: 57. ( Appearance: Mid Twenties )
Bio: Rani Lakshmi Bai was the Queen of Jhansi and one of the key leaders of the First Indian Independence War against the British Occupation. Born Manikarnika, in Kashi ( Varanasi ) in Northern India, to a prominent member of the Peshwa's court of the Marathi Empire, Baji Rao II. When her mother died when she was a child, her father had no idea how to raise a daughter, so instead raised a son. She was trained in sword fighting, riding, reading and writing, and archery and was a favourite of the Peshwa for her playfulness. When she was 13, her father and the Peshwa arranged a fortuitous marriage for her and she became the wife and Queen of Jhansi to the Maharaj Gangadhar Rao Newalkar, taking the name Lakshmi Bai. Whilst there was a significant age gap, they had a happy marriage and eventually had a son together, named Damodar Rao. It was not to be, however, her son was to die in just four months, and after a hasty adoption of another son, Anand Rao, soon after her husband died too. It was thought this would be enough to ensure her continued rule, however the british contested this succession, despite it being legal, and instead opted to take the country for themselves. A few short years later, however, a rebellion would break out and Lakshmi would be blamed for a massacre of British Officers and their families. After this happened, whether she was truly behind it or not, Lakshmi would become the figurehead of the rebellion against British Rule in central India. The war would rage over a course of months and smaller battles before finally coming to a head in 1857 outside the walls of the Fortress of Gwalior. After two long days of battle, she fell beside her men, sword in hand, valiant to the last but ultimately defeated.
Or so the British would tell the world and so she let them believe. In truth, the occupation of India by the United India Company was being used as a front by Lycan and Vampires to export their kind through the British Empire and prey upon the innocent and infect whole cities. Jhansi was no exception and Lakshmi stood up and fought to protect her people after her husband's death. These were no Half-Breeds that the Knights of England fought, these were the Purebreeds that has been consolidated into a fighting force. During this at some point, she met one of the legendary knights of the Round Table, Sir Bors de Ganis, who had been gifted with eternal life by the mysterious holy grail, or Black Water as it is known. After his death, she took up his Black Water and in realising the sheer magnitude of creatures she was fighting, she elected instead to fake her own death and steal away to England in the chaos of war. It's there she takes the fight for her country and all others that suffered her own fate.
In England, she begins her own rebellion, and finds the Knights - men and women once devoted to fighting the Supernatural threats that plague England - now political puppets to the goals of that which they hunt. Trusting none of the nobility, she fights on the streets through acts of sabotage and guerrilla warfare feeding into political unrest. Though they fight the corruption of the Empire in all forms, in particular, she targets the ships of the United India Company to huge amounts of public destruction and loss of life but is effective in disrupting the United India's shipping. Though the losses are heavy, at one point killing a Knight, and destroying the Crystal Palace, they are acceptable to her eyes. It's this that eventually puts her in the way of Sir Galahad and the rest of the Order. Not that she's interested in letting it slow her down.
SYMBIOTE INFORMATION
[ROA] - [EMOTIONAL TRANSFERENCE]
The ability, either individually or in large groups, for Lakshmi to incite her own feelings in other people. Lakshmi will always only be able to transfer her strongest feelings. If she's angry, she can't force someone to be happy. Strongly affecting a person makes them suggestive to the actions that ally with that emotion, a mild hold just makes them have passive feelings, so they're more irritable, more pleasant, more inclined to laugh. When she affects a person very strongly rather than mildly, it makes her feel her own primary emotion twice as strongly. Once the emotional state is over, for twice the amount of time that Lakshmi held the ability, she will become completely emotionless, feeling neither happiness or sadness or self preservation, a completely empty void.
BROOD: [MIRFAC]
LAKSHMI BAI - ELENA GILBERT - SHINJI IKARI - GILDOR HELYANWE - SETH GECKO - PROMPTO
FORTRESS WALLS ( NEST )
Jhansi was one of a string of outpost fortresses built along the edge of a once greater Empire, before it became it's own kingdom. Unlike others which were built as a display of wealth or power, the fortress of Jhansi had one purpose and one alone: defence.
Lakshmi's mind most outwardly is circled by the high walls of her city - and in her physical sense of herself, it is to those walls she is bound completely, they keep her herself. As far as she is concerned and it reflects inwardly even at a surface level: that city is her, and she is that city. It's her dreams, it's her return point. When she wants to concentrate, it's to it's centres. It is how she divides her emotional self from her position as a leader and her age.
But it is divide and where she is logical, it is marked by stone paths, temple walls, long chants done in rapt process of memorisation of the thousand names of Shiva, writing out words over and over again. The rhythm of jewellery adorned feet and bells that progress forward. A strict sense of discipline that permeates every single thing she does and an unshaking hand when she carves herself up. Emotionally however, and it is present in those walls, is a sense of fire. Burning. Destructive and creative all at once, it doesn't stop. Whether it's a oil lamp lighting a room, or the moment of self immolation, it might be a city but it is always a city on fire.
RANI MAHAL ( BROOD )
'The Queen's Palace', the Rani Mahal in a smaller building inside of Jhansi itself, that was where Lakshmi was granted to live after the British stripped her of everything else. It is there that she lost the shelter of being a wife and took the form of who she would become famous for.
She is self immolation made a long series of living, absolute, moments. If the question is "would she do it?" the answer is always a resounding yes. The inner most inner, the room within rooms is just built around to keep the need to burn everything all of it - the whole hive, empire, civilisation as it stands itself - to the ground if the possibility so much as becomes truth that they could be causing greater suffering ( in particular about the vampires about them ). A real and palatable fear, a sense of age, of extreme misery, of having seen too much and the only thing that comes out of it is absolute resolute that she doesn't care even a little about her own life. Not in a manner of self deprecation or self loathing but that her loyalty and dedication is unceasing and without hesitation. Rani means everything to her - not in entitlement but it is her, and a Rani is only as good as how she serves, and serve she absolutely will.
RAKSHASA ( VAMPIRES & LYCANS )
The demons fell upon Brahma, consuming his limbs and tearing at his flesh. Brahma cried out to Vishnu: 'Rakshama! ( Protect me! )'
They aren't human, they are beyond even monsters and she is beyond just simple instinct hatred - she consider them a plague. A sickness and infection that she rails against this insistence that good behaviour means anything. When a animal is sick, you put it down, rather than waiting for it to infect the rest of the herd. The lack of this day by day makes her rebel against the connection to the hive even as she feels herself growing more comfortable to Elena's presence. She makes herself acutely aware of every little thing they do. The mere mention of the word near her draws up inseparable and complete images of carnage and battle. The screaming of innocent civilians, the sound of flesh ripping. The horror of the dark and not being able to even look at a children and not thinking about to most mercifully put them down. They are mingled unmistakable with the redcoats of the 19th century British military and Jack the Ripper in the streets of London.
MENTAL LINK
Bells that ring in a temple, bells that beat loudly with the warning of war. Walls that rise up, walls that shudder and crumble with canon fire. A lady's hand on hers: a hand that is painted with henna, a hand that is covered in blood. Love: a love that is new, a love that is dying. A man: a man with a kind smile, a man that is weak in a grand bed. A child in her arms, a empty crib. A toddler that begs for sweets, a young prince that promises to never leave in fear of all that he is heir too. A flame that lights the lanterns in the temple, a flame that torches every room. A flame that burns sweet with incense, a flame that burns choking with sulphuric gunpowder. The red line of kumkum in her hair as a bride, the red blood in her hair as a window. Shiva who wonders near and far, Sita who burns herself alive in indignation. Lakshmi who brings prosperity, Kali who wears a garland of skulls. The feeling of screaming orders so long and so loud the voice no longer comes except for a scratch of damaged vocal cords. The weight in the back hand swing of a sword in each hand and the absolute purpose. The sensation of being ripped apart. Healed. Ripped apart again. Oil that slides over the skin. The blood that slides within her own skin.
Peace that only comes as a river that extinguishes the flame.
PERMISSIONS
Physical Affection: She always prefers to initiate it, but it's fine.
Physical Violence: She's a queen as much as a soldier who will escalate to a preferred field every time, so get ready to rumble if/when it starts because she's always ready to fight.
Romance/Relationships: She always prefers to intiate it, and if she isn't interested she'll make it obvious pretty damn quickly.
Thread-jacking: Go right ahead.
Back-tagging: Living in Aus makes it par of the course.
Fourth-walling: She's a real world historical figure, and if your character would know her, please feel free.
Offensive Subjects/Triggers: Lakshmi and the Order: 1886 deals with the themes of colonialism, classicism and racism. If these themes at any time make you uncomfortable please let me know, as it isn't in my interest to use this things for shock and horror for the sake of drama, but nor do I want to disrespect the history for what it is. Additionally, the vampires and lycans of the Order: 1886 are gothic horror in nature. They are cannibalistic, violent and massacres happen and are referenced in canon that doesn't spare children, and in some of the media there is an implication of child murder that has been done by those that fight them. Lastly on the historical side, Lakshmi was married as a child bride, and doesn't find the it anything particularly right or wrong with it and loved her husband. If you find that uncomfortable in any way, please let me know - to her it's naturalised and part of life, but I completely understand if that makes people uncomfortable and they want to avoid it.
Anything Else? N/A
[Lily] • aeneia @ PLURK/JOURNAL
STATION 72 ; mental link
KALI She Who is the Great Destroyer ; She Who wears a Garland of Skulls | LAKSHMI She Who Believes in Truth ; She Who is the Mother |
DRAUPADI She who was Born of Fire Sacrafice; | DURGA She Who is perpetually endeavouring to protect the weak and the poor and remove their misery. |
(no subject)
PLAYER INFO
Name: Lily
Contact: aeneia @ plurk
Are you over 18?: Y
CHARACTER INFO
Character Name: Lakshmi Bai ( Rani/Queen of Jhansi, "Jhansi ki Rani", Manikarnika, "Manu", "Chhabili" )
Canon: The Order: 1886
Canon Point: While Galahad is unconscious.
Appearance:


Age: 58+
Setting:
History:
Personality:
❝ there are things worse than death, knight, much worse, and if it is mine you seek in your misguided quest, then so be it. my death, is a worthy sacrifice. ❞
❝ lakshmi: [ laughing] "you are a empire of boot lickers
grovelling at the heels of the mighty united india company"
galahad: "guard your tongue woman."❞
❝ galahad: "the rani of jhansi?"
lakshmi: "i surprise you again, knight?"
galahad: "the famous warrior queen who took up arms against our armies in india?
our generals reported you dead in gwalior."❞
Canon Abilities/Skills:
❝ Blackwater is a blessing and a curse: To the Knights of The Order it provides longer life, but they live to see everyone that they love die.❞
ON STATION 72
Symbiote Specialization: Rho
Symbiote Ability: Updated and tweaked a bunch of little aspects.
Inventory:
(x) - her clothes, scarfs, boots, weapon holsters, jewellery, etc
1 - long knife
1 - pistol
1 - vial of blackwater
SAMPLES
Samples:
Rescue Write-up: Rewrote sections of this to give her more drive and focus c:
Name: Lily
Contact: aeneia @ plurk
Are you over 18?: Y
CHARACTER INFO
Character Name: Lakshmi Bai ( Rani/Queen of Jhansi, "Jhansi ki Rani", Manikarnika, "Manu", "Chhabili" )
Canon: The Order: 1886
Canon Point: While Galahad is unconscious.
Appearance:


Age: 58+
Setting:
❝ MEN WERE NEVER MEANT TO LIVE THIS LIFE.❞
History:
note: this is an "alternative history" canon, it weaves back and forth between actual history and their version of it freely, and many events are as they occurred in history. The linked setting information explains about the supernatural elements and how that has changed the course of history, but is particularly limited to England, below I’ve outlined Lakshmi’s history prior to canon according to what she says and the canon changes.
Lakshmibai was born Manikarnika, the daughter and first child of Moropant Tambe and his wife, unfortunately, her mother died when she was just four years old, and it would not be many years later when she would have a half-brother when her father remarried. Her father was a retainer of the Peshwa - Prime Minister of the Marathi Empire of India, Baji Rao II. She was greatly favoured by the Peshwa who gave her the nickname Chabilia, because she was would smile and laugh often and often got into trouble near him and it was he who arranged such a prosperous marriage for her. Her education was one of the best due to being raised amongst the children of other important families, despite her father's lower station. From a very young age, she was taught to read, fight and ride. Her father, loving his then only child but not knowing what to do with a daughter, raised her in many regards like a son instead. Not usual for many women of the time, but Lakshmi took to it not only well, but showed young the head of a commander and became proficient in a varied amount of fighting techniques. Certainly, it didn't put her in a bad place socially, because when she was thirteen, she was married the Raja Gangadhar Rao of Jhansi, and became his Rani, taking the name Lakshmi Bai upon her marriage and becoming Queen.
Their marriage was a happy one, Gangadhar was a statesman and by most accounts, a good ruler. Once she became part of his household and his Queen, her instruction turned to also include how to manage a household, including things like cooking and as her husband was of the Brahamin order, many religious aspects. They struck a nice balance between them, and Jhansi was a peaceful, protected Kingdom. Whilst not being as large as others, they traded fairly with the British, as India was for the most part under the control of the United India Company, it made a certain amount of sense to trade with a ally as powerful as they were. But mostly, they were sufficient enough, ruling fairly, and with no small amount of devotion to their subjects, such which made them deeply loved by them. Jhansi was, under them, a prosperous state.
However, happy as they were, it was not to last. Their marriage was childless after their only son, Damodar Rao, died within a few months of being born. Some time after this, Gangadhar took ill, and one drawn out year later, he too passed. On his death-bed, together they adopted a second son who was born Arnand and renamed Damodar, he appointed Lakshmi his regent until their new son was grown, the next day, Gangadhar died. The British however, took objection to this and via a law called the Doctrine of Lapse that stated any kingdom that was without a fit ruler, was annexed into the Companies hold, proceeded to take it for themselves. Lakshmi was not considered a capable ruler and their son illegitimate, and she was stripped of her position and told to move from the palace to a lesser one, had most of her holdings seized and made to live on a reduced stipend.
It's not stated exactly when their real intentions and purpose became obvious to Lakshmi but somewhere in all this, no doubt after she was forced to step down when they could do what they liked it became clear what was actually happening as the United India’s influence grew. They were bringing in literal container ships full of Half-Breeds and Vampires under the guise of trade and imperialistic intentions. Historically, a lot of small fights broke out between the sepoys and british officers for many different reasons, in this case, it was probably between people and the vampires now feeding on them. The Half-Breeds and Vampires were not known for subtlety and they kill indiscriminately, some of them losing themselves so completely that they won’t even turn into their monstrous forms, and will just feast on whoever crosses them.
Eventually, it came to a head. After a mutiny of the English officers and their families that were put in place to hold Jhansi ( they probably also were vampires ), she took her palace back, and in turn, the British declared her a rebel and sought to take Jhansi again for themselves. They did not just send ordinary soldiers - she instead speaks of fighting Elders/Pure-Bloods of the Half-Breed kind, who were born rather than turned to their form, and a far more powerful and ancient force which were apparently where they had been disappearing from England. When Galahad and Igraine fight an Elder, it nearly kills the both of them, and if not for the Blackwater, they would be lost. Lakshmi was facing something she was not equipped to fight, and what happened to Jhansi was slaughter against that sort of force, because she says they are not, as Galahad suggests, dying out, more, as it happens, they'd just been mobilized and directed to the United India Companies bidding. Still, she did survive it to go on to fight.
Nor does it seem it was a trickle of migration or isolated to her given the scope of United India's control of India that is shown in trade routes, when Galahad asks about how many are getting moved, she responds that there is "enough to infect a city" which is quite probably the odds she was facing when it all came down, and what she had witnessed happening not only to her Kingdom, but all the others that the United India Company held. Beyond even India. Whenever it came about, by that time, it was clear she wasn't fighting against just a Empire with colonialist ideas, but something far greater and with more sinister intentions that was pulling the strings of the British Empire to further spread the Lycans and Vampires across the world. Now in out and out revolt against the United India Company and the British Empire, after she lost Jhansi she took her armies and fought battle after battle with them on multiple occasions. The key battles being and Kelpi and Kunch, where they were overwhelmed. She joined others that had also taken up arms ( again they're not mention but given what the United India Company was doing, the rebellion probably had as many people joining it as it did historically ), and she became something of its figurehead, loved as she was by her people, so too the others came to her side in turn. Becoming, as Galahad sums it up, "the famous warrior queen".
Midst all this, somewhere along the line, Lakshmi met Sir Bors de Ganis, a knight who disappeared during the time the Grail was first found and was presumed dead. Lakshmi says little as to how or why they met, just that he died, and his blackwater was passed onto her. She joined ranks among those that would now have eternal life, if not out and out immortality.
Eventually the rebellion all came to a head, at the fortress of Gwalior in the heart of Northern India. The battle raged for five days outside the walls. Ultimately, the rebellion failed, and in the ensuing chaos, Lakshmi made some kind of choice that this fight against the Half Breeds and the corruption of the United India Company, it's many abuses of power and infection of cities, wasn't going to be stopped in India itself, and that if this was ever going to end and to save not only her own people but the rest of the world, it must be cut off at the head. Whatever it was that tipped it, she elected to leave the fight there and to do so, she faked her own death. As far as India and the British were concerned, she died heroically on the fields of Gwalior, sword and gun in hand. Unfortunately, whatever remained of her family and her country, was killed and subjugated. Historically, because of her rebellion, the East India Trading Company was dissolved, in this case, the United India Company became even stronger, and became further entrenched into India itself after her "death". Some thirty years later, she finds out that they have taken almost every kingdom in India for their own.
She shed most of her old life when she left. The only person she took with her it seems, was Devi, something of a bodyguard, body double and a daughter ( Lakshmi was famous for taking on young female fighters, training them and keeping them close as her personal guard, such was the loyalty she commanded of them and of her people, these women can and would die for her on a moment's notice, many did so over the course of the rebellion ). Devi probably would have been quite young at the time, given how long it was between the rebellion and the start of canon. In that regard, she is very much all Lakshmi has left of her home, and whether actually her daughter or not, Lakshmi treats her like her successor to the fight against the Company and the Vampires & Lycans. With Devi she journeys to England to take the fight to them, so to speak. Unfortunately being the rallying point that she was, dying was probably the only way to ensue she had some freedom of movement. The arrogance of the British meant they didn't go looking, something she happily took advantage of.
There however, England's political climate is reaching a tipping point, it's people unhappy with a queen who is too busy mourning her husband to be a ruler, and a system that cared more about companies profitable goods, than what its people suffer. There had been rebellion before, but it had been disorganised, and she in turn, takes it in hand. She begins forming a Rebel Force that is on one hand, fighting for the rights of the common people, but also how she begins to strike back against the United India Company by finding out which shipments of theirs carry vampire kindred and half breeds and sabotaging them. Her experience commanding, and her own charisma makes a devoted fighting force that answers to her, and she in turn fights by their side in everything, not only to better their state, but for all the people that she might save from the same fate that befell her own home.
It's a fine line between rebellion and terrorism and the destructive nature of toppling the United India Company and trying to kill it’s leader, Lord Hastings, puts her in turn into the path of the Knights of the Round Table. Who unbeknownst them are being used to protect Lord Hastings, the head of the Company, and his holdings. Not that this slows her down even slightly. She is more than effective, despite it turning Whitechapel into a war zone, she conducts many successful attacks against them both, destroying much of the company's property. Eventually, she gets in contact Nikola Tesla, who makes weapons and technology for the Order, and tells him the truth of the fight. He agrees to turn mole for her, and sends her guns and other armaments, along with information, which mobilizes her and the rebels even further. The pair of them are friends, and she seems to care for him, not just his usefulness to her. Though it eventually becomes obvious someone is arming them, and Sir Perceval, one of the oldest knights begins to question for himself just what exactly the rebels are actually fighting for and against. He and three other knights, Sir Galahad, Lady Igraine and the Marquis de Lafayette sneak in behind rebel lines only to find that the London Hospital is under attack by Half-Breed, and ends just about as well as expected.
It all comes to a head when the Knights end up on the airship Agamemnon that is bound for America, following Sir Galahad finding out information about the rebels planning an attack on Lord Hastings, as they had a base set up in the hospital. What they don't know is that the airship is full of vampires, and the rebels want it destroyed, and that what the knights had actually walked into the middle of in the hospital, was Half-Breeds trying to attack rebels, rather than the rebels working with the half breeds as they originally assumed. A fight inevitably ensues on board when they attempt to neutralize the rebel threat, and the airship goes up in flames when a suicide bomber explodes it out of the air. But not before he makes some cryptic remarks to Perceval and Galahad about them not knowing the whole story. Only to then crash land into London itself, utterly destroying the famous Crystal Palace and killing Sir Perceval. Sir Galahad, who trained under Perceval, wants revenge for it - but after everything he's seen, he realizes he has a few questions of his own, and that Sir Perceval would want it followed through. The reality is that the Order is completely unaware of the war that’s going on outside of them between the Rebellion lead by Lakshmi against Lord Hastings and the United India Company to stop the spread of the Half-breeds across the globe. Which after the death of Sir Perceval, Sir Galahad in a revenge-fuelled need to find out the truth of what is occurring, finally seeks her out and their paths finally cross. Even though, initially, he thinks the leader of the rebellion is Devi, who is Lakshmi’s more public face in England, Lakshmi steps in to stop them from shooting each other and reveals the truth of the fight to him.
The rest of the events of the game can be found here:❝ONE DAY ALL OUR BURDENS WILL END, BROTHER.❞
Personality:
- chapter 9, an uneasy alliance
Lakshmibai is equal amounts freedom fighter and terrorist, ruthless commander and devoted queen, mother and battle hardened immortal.
It’s hard to say exactly what she was like before the events of canon exactly, but in history she was a passionate young woman, only 18 when her son and husband died from illness, and not finished her 22nd year before she "died", at least outwardly, and personally lost everything on the fields of Gwalior. By the stories, she was a playful, kind-hearted young woman who leant towards being tomboyish and fierce. Devoted to her husband and to the people that had become hers. All of which was put to the test in her many battles. Undoubtedly it's changed her some in the thirty odd years between her leaving India and when she meets Galahad and convinces him to her side. But she stills presents herself with authority and the presence of one who expects to be listened to and treated with respect. She tends to be restrained in a lot of her more emotional responses or more sentimental topics and from time to time, that playfulness can still be seen. Despite that, if she's decided something needs to be said, or she's made up her mind about it, she's blunt and to the point. Tact is something she will disregard when and as she feels it’s important.
Her greatest strength is her determination and willingness to keep on fighting. Even when odds are miserable, she stays strong with remarkable resilience. Coming from complete defeat to start up another rebellion that is half way through throwing down the whole British Empire. It is a long, unpleasant fight, but she doesn't skirt from it, believing wholeheartedly in what she's fighting for and the rightness of her cause. It makes her more than a match for the knights. Even when Galahad demands to know why he shouldn't just kill her for everything she has done, she doesn't hesitate from stepping into his line of fire. Her own death doesn't trouble her very much. In fact, she's quite accepting that even as a technically immortal being, she could die at any moment, and in the face of that: all she does is make plans for it. Plans that are as ruthless to her own well being, as they are to others. In that way, she is most like a ruler, she weighs and considers things around her seemingly constantly, when to hold and when to give, giving pause to each matter with some consideration. She can be a front line soldier if required, and rode out often with her own men into the lines, but she also tends to hold a strong if removed presence. Outside of a few matters, she is not someone who rants and raves with her rages, everything she does is considered, calm, and put to suit her and her fight.
grovelling at the heels of the mighty united india company"
galahad: "guard your tongue woman."❞
- chapter 9, an uneasy alliance
Not that it makes her all that merciful in most circumstance, and in the end she is committing acts of terrorism that cost the lives of many innocents and huge destruction of public property. But when she's confronted with it, instead of showing much remorse, she just takes it in her stride as the cost of her fight. She is as ruthless as the knights in that regard. Ends have to justify means when there is so much at stake and no one seems more aware of it than she is. When she is confronted about that cost, she instead counters that killing Hastings is more important and that he deserves to die, as well as everyone that helps him. Nor does she have exceptional patience with Galahad when he defends his position as a knight, or the innocence of those who she knows to be on Hastings side. She mocks him and jabs at him, all but laughing in his face. She can be very scathing and dry, even when she cares about someone. She is mostly unforgiving about such things, as far she behaves, she doesn't really have time for the niceties or sparing anyone's feelings when she's got a war to fight, and is just as sharp when she thinks someone she cares about is recklessly endangering themselves. When she is dealing with Galahad the first time and they are little more than enemies in an alliance, she doesn't spare him talking about his dead mentor and oldest friend who she had caused to die. Using his memory to her own purpose. Later when she and Galahad are friends, she is determined to go off to fight to save their mutual friend, Nikola Tesla, she more or less calls him a crazy idiot for endangering himself like that. At worst, she's perfectly calm and serious when she declares that the United India's guards aren't innocent and thus none of them deserve to be spared. Galahad to start with is something at her disposal, to be directed to a more important fight, and she treats him like that until they become friends. Probably from being a ruler prior to the start of canon, there is shades of that in most of her dealings with others. Even the rebels are in part a means to an end for her, being crucial to her getting the cover and resources she needs to attack the United India Company as successfully as she does.
lakshmi: "i surprise you again, knight?"
galahad: "the famous warrior queen who took up arms against our armies in india?
our generals reported you dead in gwalior."❞
Not that she's constantly totally unfeeling and always serious or unable to compromise. With Galahad when they are in an uneasy alliance, she compromises on his request, and later when he says he trusts someone, she trusts his word about them despite her misgivings about the situation. Teasing and joking with him, even when he really doesn't appreciate it, especially when things are dire and they're wounded and cornered. Fondly beginning to call him her gallant knight when he does things for her. She lights up, amused and pleased with him to see him after he kills someone for her. In that way, despite it all, whilst she's got a lot on her shoulders, she wears it well and finds ways to find amusement in the dark regardless of how dire it all is. Her childhood nickname meant playful, and she does seem to carry that on still. With it, she can be charismatic, and to an extent charming when she wants to be, shown especially that despite being a foreign queen, she rallies the disenfranchised to her side, who have no reason to trust her. Enough that on her order her people are willing to die without question and in total devotion to her cause and her way of thinking.
To that end she repays with loyalty with loyalty, even if it might just be a matter of useful tools. Whilst it is very hard to get close to her, once she cares about someone, there is very little she won't do for someone, within reason. This is most obvious with how she treats Devi, whose safety she puts above her own constantly. Not that she distrusts Devi to do her job, she sends Devi out into the field constantly to fight on rebel business and Devi is her stand in on many occasions operating with her full authority, Lakshmi does still send her away when they're in circumstance that they might be cornered. When she first meets Galahad, it's to step in between him and Devi, and her words are to draw his attention off the younger woman. She protects her, above her own well being, however she can. The same with Tesla, who when he insists on going back to the palace, she fights him on it, telling him that he's done enough, and that he should let her take up the burden because she doesn't want to see him get hurt. He touches her hand, and there is no small amount of affection between them that even as she lets him go, she regrets it. Though she will at times cut her losses and run, to fight another day ( in the instance of clearing out of Whitchapel as soon as she knows its going to be full of guards they can't defeat ), she still nurses and protects Galahad when he's recovering from his torture, to be utterly relieved when she sees him up and moving. When he decides he's going to fight, even if it's suicide, there's no hesitation that she would go with him to save Tesla. Treating him as 'we', and that she'd stand by his side even when he goes off to get himself killed as far as she sees it.
Between living so long, losing so much, she's quite withdrawn emotionally from most people, any instance where any of her own emotions are exposed, she tends to cover it immediately by joking or giving directions away from herself. Though she behaves pragmatically about a lot of her convictions, she is just as determined about them as the knights are, and she never flinches from her task even if it means her own death. She can and does face it down, and with a great deal of dignity. Whilst she's proud, she's not too proud to compromise and find other solutions and living to fight another day. But she will always be a queen that is happy to die for her people.
Canon Abilities/Skills:
General:
• Physical: Trained Warrior & Commander, in both close quarter combat in city situations and open battlefield combat. Swords, Knives/Daggers, Pistols, Rifles, but overall limited to WWI-era technology. Skilled horseback rider and in mounted combat. High level of endurance and pain tolerance, with and without the Blackwater. Experience with Guerrilla Warfare, but also sieges, having to move troops etc. She also has experience in stealth, surveillance, subterfuge and assassinations.
• Mental: Personable, listens to others, willing to compromise without caring about her own pride if it’s important, loving, personally loyal, respectful, well mannered ( when she feels like it ), has previously successfully run a country and government, charitable ( if the situation allows it ). Can change her outward persona depending on the circumstances. Thoughtful to the situations around her.
• Other: Speaks three languages, English, Hindi & Marathi.
Lakshmi, like the Knights, drinks the Blackwater. A purported Holy Grail, though whether it is truly the blood of christ is up for debate, but its effects are not. It grants everyone who drinks from it long life, if not outright immortality. Lakshmi, too, has long outlived her more natural years without aging even slightly from it. The blackwater, after first drinking from it, is mixed with a person's blood, and their blood alone can restore them. It can be shared with another, but it isn't done lightly by anyone, and Lakshmi doesn't share her own even with her family.
Not having the blackwater over a long enough time frame, however, will kill the person who drinks it.
The Blackwater has several enhancing abilities:
- Long Life: All who drink the blackwater do not outwardly age in any real manner. In Lakshmi's case, she's at minimum 57 years old, but doesn't look much older than her late twenties. Some of the knights are six and seven centuries old and don't look much more than mid-fifties. However as soon as they stop drinking the Blackwater, they begin to age rapidly. This seems to be where lack of Blackwater really kills them.
- Healing: Drinking the Blackwater means that outside of an immediately fatal wound like being shot in the heart or head, or being knocked out and unable to consume it, they can heal almost any wound in seconds. More serious wounds will take some minutes and fatigue them for longer, but it does not kill or even cripple them long term. Lady Igraine, for instance, gets her spine broken and one sip of it later, she's up and walking after awhile. Galahad survives being in an airship crash into the crystal palace.
- Increased abilities: All who drink the blackwater are faster, stronger, enhanced sight, smell and hearing. It's not truly superhuman, but it's well and beyond what a peak human can do. In the case of Lakshmi, she's able to comfortably dead weight lift Sir Galahad who is over 6', wearing weapons and heavy clothes, single handed up a wall with very little exertion. They can't say, throw cars around, but they're well and truly able to do things the average person can't.
- The Blacksight: The exception to the above is when they enter what is called the Blacksight. It's a heightened, almost peak state where they react faster, see, hear and smell clearer and process in a way that makes the rest of the world almost slow down to how quickly they move.
ON STATION 72
Symbiote Specialization: Rho
Symbiote Ability: Updated and tweaked a bunch of little aspects.
Emotional Enhancement - the ability either individually or in large groups, for Lakshmi to incite her own feelings in other people.
I - Can only affect one person strongly and no more than five to a moderate amount. This holds for up to 30 minutes. Has a short radius of affect of five meters.
II - Can affect five people strongly, and ten moderately. This holds for up to an hour. Has a radius of ten meters.
III - Can affect ten people very strongly, can affect twenty and upwards, though each person more weakens the hold over previous affected. This holds for two hours, and the further away they are from her and from each other, the more it weakens. Has a radius of twenty meters.
Limitations / Downside: Whatever she feels most strongly will always be the easiest to give to others and hardest to stop others from feeling. When incited into rage or happiness, there isn't any filtering of that feeling over other people and she can't stop them from feeling it regardless of what she wants them to know about her or not. So in a case where she's happy and she wants to make other people angry, there is a chance they'll just feel happy regardless. To counter this, she has to seek out someone else and get them to incite that feeling within her, whether that's rage or love or happiness. Strongly affecting a person makes them quick to suggestive to the actions that ally with that emotion ( ie go punch that person isn't he the worst and make you angry? or go and kiss that person, you love them so much? ), a mild hold just makes them have passive feelings, so they're more irritable, more pleasant, more inclined to laugh. When she affects a person very strongly rather than mildly, it makes her feel it twice as strongly, but after the time of her control is over, she will be left emotionally depleted and will age closer back to her real age for the same amount of time that she held the person enthralled. Effectively after every strong use of emotions, it turns her into a tired old woman that doesn't feel anything.
Inventory:
(x) - her clothes, scarfs, boots, weapon holsters, jewellery, etc
1 - long knife
1 - pistol
1 - vial of blackwater
SAMPLES
Samples:
hello, I missed you.
Rescue Write-up: Rewrote sections of this to give her more drive and focus c:
Most days are battles for her. More days than not. In the expanse from the fortress of Gwalior to the arid plains of Portugal, there are more nights she has spent running, moving, remembering her father's lessons not in thought but in action as she kept pushing herself and pushing herself and pushing herself. None harder than in the days between Galahad's arrest and his awakening. For him, and for this world she takes by both hands and rips apart by her own doing to build a better one, she must, and knows in no small way that Galahad will be part of it, and if whatever this is - this thing that she finds herself without a way to describe except that it is beyond her own reckoning, even with all she has seen and done.
But in how she deals with the threat it possess, is easy. Everything else goes in a haze to fighting, always fighting, and this forces her to fight as hard as she would against an Elder, protecting that unconscious knight the room behind her. Fights and fights until it's clear that it is too much, too much alone, in the tunnels under the city of London, just sure that she can't stop, because when does she ever? Except in the most permanent kind of ways and she doesn't know what it's after, other then to destroy something or someone. Pulling herself back away from Galahad, further into those dark half built corridors somewhere between the old world and the new when she feels finds herself not alone. Something else with her, that tells her what she has to fight doesn't have to be fought alone, but that she cannot hope to win, now, either, if she'll just fight and live another day. It's not after her knights, after all, and she can ensure not only his but all their protection.
In that regard, it's an easy choice. Anything to protect that which she held so dear.
HISTORICAL INFO
HISTORICAL DETAILS: 1820 - 1857
Sticking this together because I am A) a nerd, and B) like it when people can access my source material free of myself! Granted this is nothing more than a series of quotes I use to inform my own writing and characterization of Lakshmi Bai pre the events of The Order: 1886, during her formative years in the First Independence War of India in 1857.
Sources are taken from: Excerpts are taken from the writings of Mahsweta Devi's The Queen Of Jhansi, translated by Sagree & Mandira Sengupta, published 1956, 2009 edition.
POEMS, LEGENDS, ETC
"She made soldiers out of soil,
And swords out of wood;
She picked up mountains and made horses,
And off she rose to Gwalior. "
"You would say, 'who are they speaking of?', They will reply, 'The Queen of Jhansi'. They will say, 'If the Queen picked up a handful of dust, it became an army. A piece of wood would transform into an upright sword at her magic touch. She touched a rock to make it into a horse and then rode off to Gwalior.' If you meet an aged farmer on your way to Kalpi, he will tell you: 'The Queen fought on this Kalpi soil, and she's hiding somewhere, perhaps in the bosom of the very earth here. Her days are long gone, there's no chance for her anymore. Thay's why the humiliated Queen no longer shows her face to any-one.' Everywhere in Jhansi, Kalpi and Gwalior - ordinary people will tell that the Queen will never die."
"[The Ancient man ] will tell you with absolute conviction that when the earth lies dreaming under chill breezes and a flood of moonlight, deep in the night in late autumn, he has seen Rani Lakshmibai standing still as a painting on the fort wall. An unbeliever would say, 'That's impossible'. He would retort, 'You just don't know, that's all. The Queen hasn't died! Baisaheba jarur jinda houni!' "
"If the essence of our land could be personified, that embodiment would be Rani Lakshmibai. "
"As long as people insist, 'Rani margai na houni,' - 'the Queen did not die' - the Queen will be alive. "
"The people of India will remember this debt of yours (O! Rani Laxmaibai),
may you be blessed, dear Rani,
Your life sacrifice will awake an indestructible soul of freedom in the people,
History may be made silent or if truth is hanged or killed,
or if the drinkers become victorious or if they destroy Jhansi with cannonballs,
You, by yourself, be the memorial of Rani because you had been an eternal token of courage.
From the mouths of the Bandelas and the Harbolas,
we heard the tale of the courage of the Queen of Jhansi
Relating how gallantly she fought like a man against the British intruders: such was the Queen of Jhansi."
- excerpt from the longer poem, Jhansi Ki Rani.
JHANSI
LAKSHMI & CHILDHOOD
LAKSHMI & PERSONAL
LAKSHMI & MARRIAGE / FAMILY / CHILDREN
LAKSHMI & RULING
SIEGE OF JHANSI
BATTLE OF KALPI
BATTLE OF KUNCH
TAKING OF GWALIOR
DEATH
OTHER
barrayar thread tracker
![]() | LAKSHMIBAI | MAHARANI
|
[ playlist ]


— "You ask the old man by the well and he will say, the Queen did not die." —
[ ♫ ]
[ ♫ ]
MANIKARNIKA
i. maya's theme
"The new born girl to whom this chart belongs will become a Queen. She will bestow immortal fame on her husband's clan."
Did her parents have any dreams for her? They must have, but if any music played in their dreams, it would have been the raga Gaursarang for her wedding day, and the auspicious tinkling of jewellery as married Maharastrian women came and went from the ceremony. They did not imagine the clanking of sword against sword on the battlefield.
Did her parents have any dreams for her? They must have, but if any music played in their dreams, it would have been the raga Gaursarang for her wedding day, and the auspicious tinkling of jewellery as married Maharastrian women came and went from the ceremony. They did not imagine the clanking of sword against sword on the battlefield.
IT IS MY DESTINY
ii. you'll be queen one day
It is said one day, that the prominent sons of the Peshwa's Court, Nana, Rao and Bala, went out riding on the Peshwa's only elephant. Manu repeatedly insisted on riding it as well, but they did not pay mind to her. Upset at his daughter's humilation, Moropant said, 'It is not in your fate to have an elephant to ride. You're the daughter of an ordinary man!' Manu proudly replied. 'It is my destiny to have ten of them!'
JHANSI
iii. shiva's meditation
The Jhansi Fort would be for the purposes of contending with lions and elephants. There is a folk saying that when he [Virsingha Dev] had reached advanced age, he looked from Datie towards Jhansi once and could not see the fort. He then said, 'There's only a mist (jhansi) before my eyes.'
WEDDING VOWS (RAJ & RANI)
iii. albela sajan
iv. Raga Hemavati
v. come paint my breasts with sandalwood
iv. Raga Hemavati
v. come paint my breasts with sandalwood
Delighted to agree to the match, Gangadhar Rao sent a convoy to escort Manu and her father, Moropant, to Jhansi. Row upon row of mounted riders came with the royal palanquin in their midst. The wedding arrangements were complete. When they entered the city of Jhansi on the auspicious day, its streets were resplendent with light. Gangadhar's favourite elephant, dressed in golden brocade, roamed the avenues. Arabian horses galloped through the town. Street entertainers wearing turbans of many colours staged cockfights and sheep duels by the roadside. The king's favourite cannoneer fired a 100-gun salute from four canons. The Superintendent Ross, came riding on big black horses, to pay their respects and bring gifts. In the theatres, plays were performed. The neighbouring kings came as invited. The poor were given food, clothing and blankets, and the brahmin priests were given plates of sweets until they cried 'no more!'.
During the rights of binding, Manu amazed everyone present and shocked Gangadhar a little by saying to the priest: "Tie the knot carefully now." With the sacred fire as a witness, he painted the vermillion mark on Manikarnika's forehead as a sign of her status as a married woman and put the mangalsutra around her neck. The priest uttered a blessing, "From this day forward, the new bride with have the name Lakshmibai in her husband's abode. With this name, O blessed one who brings well-being to all, augment the glory of your husband's lineage."
[...]
Despite their age difference, the King and Queen developed a loving relationship. When she was praised for her charming manners, he would remark with amused affection, 'Trying to live up to your name, Lakshmi?'
During the rights of binding, Manu amazed everyone present and shocked Gangadhar a little by saying to the priest: "Tie the knot carefully now." With the sacred fire as a witness, he painted the vermillion mark on Manikarnika's forehead as a sign of her status as a married woman and put the mangalsutra around her neck. The priest uttered a blessing, "From this day forward, the new bride with have the name Lakshmibai in her husband's abode. With this name, O blessed one who brings well-being to all, augment the glory of your husband's lineage."
[...]
Despite their age difference, the King and Queen developed a loving relationship. When she was praised for her charming manners, he would remark with amused affection, 'Trying to live up to your name, Lakshmi?'
you are my joy (lakshmi's sons)
vii. All Lit Up
On the sacred lunar day of the eleventh of magh, the Queen gave birth to a boy child. Gangadhar Rao was over joyed and set off fireworks. The newborn boy was named Damodar Gangadhar Rao. His crib was hung with flowers and Lakshmi sung prayers to him every morning. He was not to live for longer than three months.
A second son, Ananda Rao, a son of one of Gangadhar's nephews, was chosen to be adopted. He was given the name Damodar. Lakshmi felt a deep grief when looking at him, even though he spent his days in play, for having taken him from his own family. But he was her only true source of happiness and would remark: 'you are my only true source of happiness [ananda] amidst sadness'.
A second son, Ananda Rao, a son of one of Gangadhar's nephews, was chosen to be adopted. He was given the name Damodar. Lakshmi felt a deep grief when looking at him, even though he spent his days in play, for having taken him from his own family. But he was her only true source of happiness and would remark: 'you are my only true source of happiness [ananda] amidst sadness'.
an empty nursery
viii. first day, first night
Rather than console his wife, Gangadhar broke down over the death of his son. He lost interest in his work, and his apetite waned. Grieving and saddened, he said, 'the knot of my life has been torn.' After a particular festival he took ill. The Queen stayed constantly with him, and from the day, doctor's came and went from the Palace.
[...] On his second last day, with all that remained of his strength, he saw to the adoption of a second son, Ananda Rao, and by the same evening, his pulse began to weaken. Lakshmi had been with him since dawn and did not move from his bedside even after the ceremony was complete. She sat still as a figure carved from stone and kept counting the gold and glass beads of her necklace, listening to the prayers for the Raj from outside. as death is certain for one who is born, birth is certain for one who is dead, so you should not grieve for what is certain. How could she not grieve? She found no comfort in the words. Sure that death had come in from an open window and was hiding where she could not see.
At one in the afternoon, on her eighteenth birthday, Maharaja Gangadhar Rao Newalker died. With his head in his wife's lap.
[...] On his second last day, with all that remained of his strength, he saw to the adoption of a second son, Ananda Rao, and by the same evening, his pulse began to weaken. Lakshmi had been with him since dawn and did not move from his bedside even after the ceremony was complete. She sat still as a figure carved from stone and kept counting the gold and glass beads of her necklace, listening to the prayers for the Raj from outside. as death is certain for one who is born, birth is certain for one who is dead, so you should not grieve for what is certain. How could she not grieve? She found no comfort in the words. Sure that death had come in from an open window and was hiding where she could not see.
At one in the afternoon, on her eighteenth birthday, Maharaja Gangadhar Rao Newalker died. With his head in his wife's lap.
GANGADHAR
viii. A King's Procession
Maharaja Gangadhar Rao Newalker of Jhansi.
Born. 1813. Died. 1853.
Born. 1813. Died. 1853.
Meri Jhansi doogni nahin
ix. They will take my island
Major Ellis arrived suddenly to pronounce the verdict of the British, that the adoption was to be rejected and Lakshmi removed from her position and stripped of her titles.
He dryly greeted the Queen sitting behind the screen and read Dalhousie's order and Malcolm's notice. Everyone was taken back and shocked. Ellis enunciated his words as surely as bolts of lightning. As soon as he stopped reading, Lakshmibai articulated four words with a voice full of strength but tinged with sadness:
'Meri Jhansi doogni nahin -- I will not give up my Jhansi.'
Yet, things had to be accepted.
He dryly greeted the Queen sitting behind the screen and read Dalhousie's order and Malcolm's notice. Everyone was taken back and shocked. Ellis enunciated his words as surely as bolts of lightning. As soon as he stopped reading, Lakshmibai articulated four words with a voice full of strength but tinged with sadness:
'Meri Jhansi doogni nahin -- I will not give up my Jhansi.'
Yet, things had to be accepted.
AN INFECTED CITY
x. Dereham Tortured
Little Bobby Paige was bored, even when just nine years old.
Staying out late one night, he came home with a nasty bite.
Staying out late one night, he came home with a nasty bite.
HELPLESSNESS ( THE BRITISH FAMILIES ARE MASSACRED )
xi. Scent of Death
The lone Queen of the small feudal state lost her husband and her kingdom, and instantly realised she had nothing left, although she had so much. Torn away from her husband's protection, she discovered her absolute helplessness.
But the English Officers and their families who had come to rule were soon to find themselves, victims of fate, just the same. The Sepoy rebellion had spread, and on the 6th of June, the 66 British families that had come to live in the palace of Jhansi were massacred.
There was nothing for Lakshmi to do, but clean up the bodies. The accusations would come later, that she was the one who had caused it.
But the English Officers and their families who had come to rule were soon to find themselves, victims of fate, just the same. The Sepoy rebellion had spread, and on the 6th of June, the 66 British families that had come to live in the palace of Jhansi were massacred.
There was nothing for Lakshmi to do, but clean up the bodies. The accusations would come later, that she was the one who had caused it.
JHANSI KI RANI ( A BID FOR INDEPENDENCE )
i. Secret Heart
The Queen who had always had a sense of fate, now began to gamble with it. Her personality had not taken full form when her husband was alive, but in the nine months she ruled Jhansi alone, she matured.
THE DURGAVASI ( DEVI'S THEME )
ii. Land of Gold
'Heed my advice, do you not know how dear you are to me? I need you to continue the cause if something happened to me.'
THE SIEGE OF JHANSI
iii.Gajanana
O Lord who wears a yellow coloured cloth, O Lord with a curved trunk, the one who destroys egos and the son of the one with three eyes, your humble servant Ramdas is waiting at home for You to come, O Lord who is worshipped by all! Please be with Your devotee in troubled times and protect him in distress, Hail the Lord!
LYCANS INSIDE THE WALLS / THE FALL OF JHANSI
iv. Battle for the Hill of the Ash
From the fort, the Queen watched men, women and children running here and there and the English slaughtering them with monsterous glee. Standing still as a statue, she looked at the hell that had been unleased inside Jhansi. As the flames leaped up into the sky, overwhelmed with heartache, loss and grief, she realised her inevitable defeat.
It overcame her, the humilation that she would suffer at the hands of the British if she was captured and thought 'Why surrender, when I can go on to fight?'
It overcame her, the humilation that she would suffer at the hands of the British if she was captured and thought 'Why surrender, when I can go on to fight?'
THE BATTLES OF KELPI & KUNCH ( LOSS AFTER LOSS )
v. Final Escape
The Queen, accompanied by five or six men, arrived, retreating from the battle of Kalpi. Her entire body was covered with dust, her face was flushed and there was a desolate look in her eyes. She dismounted and came for a drink of water from the well. Tatia's desertion from the battlefield at such a critical point had left her mortified. In her disturbed state of mind, she did not even recognise Vishnubhatta who had once attended her so wisely and asked him, 'Who are you?' Vishnubhatta folded his palms and stricken with sadness and sympathy for the Queen said, 'Please allow me, a brahman, to serve you a drink to quench your thirst?' He was about to draw water from the well.
The Queen came closer, and said 'You are a respectable brahman. Why should you serve me?' Her face was dark with disappointment. 'As a Queen, I have never followed the religious rites of a widow as I should have, and neither did I bother to ensure my merit for the hereafter. Instead, in the task I took for myself, I see no sign or hope for achieving success in my lifetime. Not that I expected fame from this, but the Lord has deprived me even of what I have earned. Of what use was all this fighting to the death, if nothing was to come of it?'
The Queen came closer, and said 'You are a respectable brahman. Why should you serve me?' Her face was dark with disappointment. 'As a Queen, I have never followed the religious rites of a widow as I should have, and neither did I bother to ensure my merit for the hereafter. Instead, in the task I took for myself, I see no sign or hope for achieving success in my lifetime. Not that I expected fame from this, but the Lord has deprived me even of what I have earned. Of what use was all this fighting to the death, if nothing was to come of it?'
THE TAKING OF GWALIOR
vi. Rather Death Than Slavery
It was the Queen's idea to take the Fortress in Gwalior, a goal far above the others, for she had the most to lose of all the other leaders. It was the largest and most important Fortress in the heart of Central India, and the others had to be convinced it was possible to take, but she encouraged them and soon they took to the idea.
When she and Tatia came onto the field against the troops of Gwalior, they cheered war cries and immediately went over to their side, and in this way, Gwalior was taken with no blood spilt. They threw open the doors of the Fortress and the leaders of the War were welcomed. For in the Queen, was the figurehead which all could rally around, and in the Queen it became more than a fight for a few Lords, but a fight for independence.
When she and Tatia came onto the field against the troops of Gwalior, they cheered war cries and immediately went over to their side, and in this way, Gwalior was taken with no blood spilt. They threw open the doors of the Fortress and the leaders of the War were welcomed. For in the Queen, was the figurehead which all could rally around, and in the Queen it became more than a fight for a few Lords, but a fight for independence.
SIR BORS DE GANIS
vii. Rise a Knight
" The good man said, and Sir Bors, ye had been a great fool and in great peril to have allowed those two flowers perish to succour the rotten tree, for had they had sinned together, they would be been damned; and for that ye rescued them both, men might call you a very knight and servant of Jesu Christ."
the battle of gwalior
viii. jai shivaji
The British assembled outside the fortress, and cannonballs fell like rain. The heat rose, one of the worst summers seen for years and as many soldiers fell to heatstroke as to wounds. From the first day, the Queen took to the field herself. In preparation, she saw to her son. She assigned the last of her most trusted guards to him, having sworn them to never leave his side and to protect him, knowing that should she fail, the British might even torture her son. She begged them, 'take all that remains to me, my jewels and money, and take him somewhere safe, for I have opposed the British, and they might torture an innocent boy.' Anand was overwhelmed and clung to his mother and she reassured him as she had for years. 'Anand, you are my joy. You must remember I will not worry if I know you are with them, so you must always stay with them.' Though her guards were torn, for if they were not there to protect her, who would?
She took her shamsher blade as her answer, and bid them remember their promise to her and sent them away with a goodbye in the hours before dawn.
She dressed in her favourite colour, blue, with the pearl necklace that had been a gift from her mother-in-law those fifteen years before and rode down to her men. She joined them, and in the heat, for the length of the day, she fought. Always in the thick of the battle with her men, wielding two swords, her horses reigns crammed between her teeth, she did not tire or retreat until the evening, when she would see to the defence of the canons on the walls.
The Battle of Gwalior would rage for five days.
She took her shamsher blade as her answer, and bid them remember their promise to her and sent them away with a goodbye in the hours before dawn.
She dressed in her favourite colour, blue, with the pearl necklace that had been a gift from her mother-in-law those fifteen years before and rode down to her men. She joined them, and in the heat, for the length of the day, she fought. Always in the thick of the battle with her men, wielding two swords, her horses reigns crammed between her teeth, she did not tire or retreat until the evening, when she would see to the defence of the canons on the walls.
The Battle of Gwalior would rage for five days.
a fatal wound ( lakshmi's choices )
ix. Time of Which We Have No Knowledge
In front of her, her lady, Mandu was fighting, and was struck down, she cried out: 'Forgive me Rani, for I must leave you'. Lakshmi raged, attacking and killing the one who had killed Mandu. She felt the sword strike her up her face to her right eye, blinded by blood, she tried to clear her vision - and was shot, a bullet piercing her left side. She fell onto her mare, Sarangi, blood staining over her pure white coat. Dizzying, as her life began to drain from her, she looked to see a path clear of the battlefield.
For the British must never have her body.
For the British must never have her body.
DRINKING THE BLACKWATER
x. The Wheat
For the blackwater does grant extended life, but it's blessing is a curse. For those that drink and live beyond their natural years, will come to see all that they love, die.
LAKSHMI
xi. Omiya
They will tell you, will sincere innate belief, the Queen isn't dead, she still lives. They will tell you that the rocks and soil of Bundelkhand have kept the Queen hidden. They say that the Queen picked up a handful of dust, and it became an army. A piece of wood would transform into an upright sword at her magic touch. She touched a rock to make it into a horse and then rode off to Gwalior. People will tell you, even now, Bai Saheba sometimes appears at midnight. She is dashing off with her young son on the mare Sarangi.
Entry tags:
Entry tags:
eudio | cuddlr
![]() LAKSHMIBAI ( ∞ ) Jhansi ki Rani. Contact me and we may discuss and come to an agreement. |
NO